About

My research interests lie at the intersection of epistemology and aesthetics, particularly in how cognition and aesthetic experience explore the relationship between mind and world, or subject and object. I approach this inquiry through Kant’s critical philosophy alongside the broader context of 18th-century intellectual history, focusing on the role of perception in cognition and the relation of aesthetic attitude to conceptual thinking. I also explore how Kant’s philosophy can inform contemporary debates.

Currenty, I focus on perception as a point of contact between mind and world, serving as the common ground for both cognition and aesthetic experience. I aim to investigate the roles of inner sense and imagination across the First and Third Critiques, comparing how understanding functions in each. Given that Kant describes inner sense and time as “only one totality in which all of our representations are contained,” and that imagination acts as a faculty of transcendental time-determination, I believe their role in temporal representation is key to understanding both the connections and distinctions between cognition and aesthetic experience, as well as how can aesthetic experience contribute to cognition.

contact | namsubin6@gmail.com

Areas of Interest

My interests revolve around the questions on cognition and aesthetic experience.

Aesthetics

  • What is beauty?
  • What is the condition of aesthetic experience?
  • How does aesthetic experience differ from cognition?

Epistemology

  • What is the condition of cognition?
  • How does perceptual experience affect the foundation of knowledge?

Kant’s Critical Philosophy

  • What is the condition of the possibility of our experience of the world?
  • How are cognition and aesthetic experience related?

Early Modern Period

  • How did the Scientific Revolution affect philosophy?
  • What questions have shaped Kant’s critical philosophy?

Metaphysics

  • How does the mind constitute the world we experience?

Art Criticism

  • How do perception and conceptual thinking act in experiences of contemporary artworks?

Experiences

Teaching

I lead seminars on Kant’s philosophy and diverse themes in aesthetics for a broad audience.

Art Critic

I write reviews and essays as an art critic, further bridging theory and practice by analyzing contemporary art through a philosophical lens.

“There is only one totality in which all of our representations are contained, namely inner sense and its a priori form, time.”

Immanuel Kant

Critique of the Pure Reason